Build your own pinhole camera

Take a break from your computer! Download, print and build your own pinhole camera. Follow the instructions and enjoy!

This looks to be a great rainy day activity for a DIY’er.

Check out the cameras you can make here. Some pretty sweet designs.

Build your own pinhole camera pinholecamera

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Inspiration from the obituary of Robert Rauschenberg

The thing I love about life is that inspiration can be pulled from anywhere.

Like this obituary of Robert Rauschenberg:

Messing up is alright:

Screwing things up is a virtue. Being correct is never the point. I have an almost fanatically correct assistant, and by the time she re-spells my words and corrects my punctuation, I can’t read what I wrote. Being right can stop all the momentum of a very interesting idea.

Don’t fear change:

John Cage said that fear in life is the fear of change. If I may add to that: nothing can avoid changing. It’s the only thing you can count on. Because life doesn’t have any other possibility, everyone can be measured by his adaptability to change.

Be careful of what you know:

Anything you do will be an abuse of somebody else’s aesthetics. I think you’re born an artist or not. I couldn’t have learned it. And I hope I never do because knowing more only encourages your limitations.

Inspiration can be found everywhere:

I really feel sorry for people who think things like soap dishes or mirrors or Coke bottles are ugly. Because they’re surrounded by things like that all day long, and it must make them miserable.

A piece by Rauschenberg:

Inspiration from the obituary of Robert Rauschenberg robertrauschenbert

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Thoughts from Larry Towell

Quotes from Larry Towell:

Black and white is still the poetic form of photography, he says. Digital is for the moment; black and white is an investment of time and love.

The ordinary becomes distinct, the way poetry transforms words. This handling of the ordinary is the life of photography itself. In this ordinariness, photography lives and breathes.

There is a meditation to the still image however, that comes from stopping to look at the geometry of the world with all of our senses in order to capture a bit of it and confine it to one small space in recognition of a personal point of view. Photography casts aside the clutter, the commotion, and the noise of the world, in order to keep its form, shape and substance true to itself and in one complete thought.

Read the article here.

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Advice to new (photo)journalism grads

As a fresh graduate from OU I found Will Sullivan’s post on his Journerdism blog to be an entertaining and informative read. You might need your earmuffs for a few of the points, but you can’t fault his enthusiasm.

Just a taste of what he wrote:

Your coworkers / your environment matters a lot too.
Surround yourself with people that inspire and encourage you that you can learn from.

That’s the exact reason why I felt like my time at grad school was so valuable.

Toxic environments will destroy your life faster than Crystal Meth.
Avoid them like the plague. This isn’t your high school boyfriend that you may think you can ‘fix him and he’ll be a keeper.’ Maybe you can sometimes, but by the time you do you’re finished fixing it, you’ll be going to be bitter and old. Get out as quick as possible and read the No Asshole Rule if you’re stuck in a toxic environment or if you see one forming

Awards don’t really matter. (But they really do.)
They shouldn’t. But if I’ve got dozens of resumes with similar previous experience, skills and portfolio between candidates, someone who’s won half a dozen awards for their work versus someone who’s won none will probably get them put in the ‘to check out further pile.’ Outside of ladder climbing, winning awards just feels good. Recognition for hard work is important. Just don’t stress about it too much, because awards are so random and subjective depending on the panel of judges. (Watch as many contest judging events as you possibly can and you’ll learn this quickly.) One thing to remember: You can’t win awards if you don’t enter. I’ve judged a couple dozen contests, and I gotta say, sometimes people win just because there wasn’t really any competition and they paid an entry fee, so someone has to win.

We all know firsthand how dreadful the contest game can be.

“You need ‘Fuck you’ skills. Like a hand with a raised middle finger, you need to have a bunch of little fingers of skills in many different areas like flash, social media video, writing, audio, programming, CAR or whatever, but one area that you’re really awesome in (the middle finger). So if things are really bad somewhere, you’re awesome at that skill and you can say, ‘fuck you’ and move on.” (Kinda like FU money.) But recently, I unveiled a new theory while rappin’ with some Mizzou j-students: It’s a little risky to put all your eggs in one basket. So I’m thinking, “Peace out” skills are better. (It’s also less vulgar than ‘fuck you’ skills.) So my advice is: Be familiar with as many aspects of journalism as possible — have a little of your fingers in everything — but have two disciplines that you’re really awesome with. Hence, the “Peace out” sign. When it comes time to say “Peace out” it’s best done with the body slightly askew, throw the peace sign rapidly in a downward motion sideways, cock your head, scrunch your lips, blow out your cheeks and enlarge your eyes. Practice in the mirror before actually doing this on the job, to make sure the effect is totally perfect. You don’t want to be “That guy who was really great in Flash and Video Animation, but when he left he awkwardly poked himself in the nose and make a farting sound with his mouth. What was his deal?”

Check out the other 28 great points on Will’s blog and add your own while you’re there.

Only thing I might add is thinking of yourself as a brand.

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Can films change the world?

The Guardian asks do films really change the world? Do films about changing the world make any money?

Of course the same can be asked of documentary photo projects.

I’m no longer even sure that documentary films affect the world in a different way from fiction or that people are interested in how fiction differs from investigation.

You watch films in the dark and emerge blinking from the cave, your life mysteriously altered. You feel different afterwards - more alert, more informed.

‘You should never know quite what you are getting into with a film,’ says director Stephen Frears. ‘And that means you can never be certain what you have got or what effect, finally, the film will have.’

Frears is a doughty defender of the power of feelings in films. He believes that what people remember in films are not facts, but emotions.

Go check it out.

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WordPress woes

I updated my blog to the latest version of WordPress yesterday afternoon, which caused some major issues with the theme I was using.

After trying everything I knew(very little obviously) to get things back I resorted to a completely new theme.

Everything should be back the way I left it before the upgrade. Fingers crossed.

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Freelance photography and self promotion

If you’re looking to enter the world of freelance photography or are already in that realm this post by art buyer Heather Morton is for you.

We work in a world of paradoxes and conundrums: Send an email blast vs. no one reads emails. Send a nice promo card vs. it will get chucked. Get face time with an AD or AB or PE vs. no one has any time to meet with you.

Every interaction that you and your work have with an agency is a potential to sell or unsell the experience of working with you, don’t let that go to waste.

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The Newspaper Disease

Roger Black on The Newspaper Disease:

As with the federal government, it won’t help to keep doing more of the things that aren’t working. It won’t work to keep cheapening the product. To use Gordon Bethune’s line about a similar problem in the airline business: “You can take so much cheese off the pizza that nobody will eat it.”

Read the rest of the article here.

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World Press Interviews

Listen to 22 incredible photographers talk about their winning work from the World Press Photo contest. Nice job Travis.

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Pixar’s Brad Bird on Fostering Innovation

A nice read on fostering innovation.

The first step in achieving the impossible is believing that the impossible can be achieved. … “You don’t play it safe—you do something that scares you, that’s at the edge of your capabilities, where you might fail. That’s what gets you up in the morning.”

[Jobs] realized that when people run into each other, when they make eye contact, things happen. So he made it impossible for you not to run into the rest of the company.

Pixar basically encourages people to learn outside of their areas, which makes them more complete. [and more creative].

We have all this amazing machinery—how do we use it to make exciting things? We could go to Mars in this rocket ship!” It was, “We don’t understand Walt Disney at all. We don’t understand what he did. Let’s not screw it up. Let’s just preserve this rocket ship; going somewhere new in it might damage it.

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